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Sony HVRZ5 HD (Pal) Camcorder

Featuring, excellent performance in low light, over cranking and a broad zoom range only made possibly by Sony’s “G” lens. Flexibility, in choice of Resolution, Media and workflow- reality with HYBRID technology. The search is over. The HVR-Z5 is everything you’ve wanted in a fixed lens camcorder.

  • 1/3 Inch-type 3 ClearVid CMOS sensor system
  • Sony’s exclusive high-performance “G lens”
  • Selectable progressive recording modes
  • Built-in down-converter for SD production
  • HYBRID recording with optional HVR-MRC1K

Direct Replacement for Z1

The HVR-Z5 replaces the Z1 and prices are expected to be the same. It uses three 1/3-inch ClearVid Exmor CMOS sensors, as used on the Z7, so it should perform similarly.

Its layout has been updated from that of the Z1, and its styling is similar to both the Z7 and EX1. However, anyone upgrading from a Z1 should feel comfortable with it pretty quickly.

Power consumption has been reduced from about 7.4 Watts on the Z1 to 7.1W (or less), because CMOS uses less power than CCDs do, which should extend battery life a little. It uses the same batteries as the Z1 and the popular PD150/170 SD camcorders.

Sony did a lot of customer research when designing this camera, bringing engineers from Japan to Europe to meet Z1 users, and it shows, most obviously in its improved ergonomics. It is also slightly lighter and more compact.

The LCD flip-out display and the vewfinder both come from the Z7, and are an improvement on those on the Z1. Although the higher resolution screen is smaller on the Z5 compared to the Z1.

It also boasts better low light sensitivity. Sony tried to make it as similar as possible in this regard to the PD150, which was much loved for its ability to shoot in low light, and the Z5 is about 1.5Lux (compared to the PD150's 1Lux and the Z1's 3Lux).

The Lens

It has the continuous, infinity focus ring of the Z1, so if you dislike it, you'd be better off with the EX or Z7, which offer the choice of end stop or infinity.

The 20x (optical zoom) lens is the widest Sony has included as standard on any of its small HD camcorders, going from 4.1 to 82mm (compared to 4.5 to 54mm on the Z1). It is a new Sony designed lens, as a few years ago it bought Conika Minolta (the stills camera manufacturer), which had its own highly skilled optical engineers, and this G lens seems to meet the same standards as the Carl Zeiss lenses on its previous low-end camcorders.

It has a maximum aperture of F1.6 (the same as the Z1), but as you zoom in it ramps down to F3.4 (compared to F2.8 on the 12x Z1 lens). You can really see the difference; so don't zoom in in dark places unless you want to add in a lot of gain.

The iris ring is now on the lens (unlike the Z1, but like the Z7 and EX1), which makes it more ergonomic. This is where the irs control should always be. It seems to be continuous rather than stepped, giving a lovely smooth transition from one stop to the next.

The Push Auto (focus) button has once again got smaller, making it even more difficult to get at, but at least it is no longer right beside the White Balance button (as it is on the Z1), making it easier to push without affecting anything else.

There is also a 1.5x Digital Extender, which hardly seemed to decrease resolution, making it potentially useful. This is a menu selection item, so you'd have to assign it to one of the seven Assign buttons (up from six on the Z1) to make it usefully accessible.

There will also be a wide angle lens available (with matte box, filter holder and French flag), at "an affordable price" (about Euro 750).

Light and White

You can change the gain settings (what Low, Medium and High represent) in the menu setting. What is new and useful is the option to select as low as -6dB (negative gain – on the Z1 you can only go as low as 0dB). You can think of this as an electronic ND filter.  The gain can also go as high as +21dB in 3dB increments, which is a huge range. Having -3 and -6dB will be useful to anyone wanting to play around with depth of field if the ND filters don't fit exactly what you are trying to achieve.

There is also a really grainy Hyper Gain setting that looks pretty dreadful. But, I suppose if you really have to shoot in the dark it may come in handy.

There are three ND filters (compared to 2 on the Z1), of ¼, 1/16 and 1/64 (equivalent to 2, 4 and 6 stops). If you add that to the minus gain, you should be able to achieve any depth of field you want and still get the right exposure.

Shutter speeds range from 1/3 to 1/10,000 of a second and Sony has finally added ECS (Extended Clear Scan), so you can shoot a CRT computer monitor without scrolling bars appearing on it, although as most people have now switched to LCD screens, you probably won't need it. Better late than never.

In the Menus, you can select to be in Iris or the new Exposure mode. It can take account of gain and shutter, changing the iris to compensate for what effect you are trying to achieve, while still retaining the same overall brightness you have already set. However, you can still independently change the iris if you want, so it is not the same as Shutter Priority.

White balance: Besides the pre-set tungsten and daylight settings, there is also a user selectable preset that can be changed from 2,300K to 15,000K in 100K increments. So, if you want to make sunsets warmer than they are, this is a simple way to achieve it. It also has the usual A and B manual white balance memories.


The Z5 records in DV, DVCAM and HDV 1080. In HD, you can select between interlaced or progressive (25p). Interlaced can be 50i or 25p (which probably means native progressive from the sensors, but then recording two fields interlaced on the tape, the PSF technology Sony introduced with the V1 – until we read the manual, which didn't come with our pre-production model, we won't know for sure).

Besides recording to MiniDV tape users can also add on optional solid state or hard disk recorders. The new HVR-MRC1K Memory Recorder Unit (which should cost under £500) will be available as an accessory for the Z5 and other Sony HDV camcorders. It will fit on the back (behind the battery) and will record on to Compact Flash cards. It will allow recording HD to both tape and card, or HD to tape with SD to card (useful if you are transmitting SD now but want an HD archive tape for the future). It can't record SD to tape and HD to Flash.

There is also a card slot by the handgrip for a Memory Stick, which can be used to store stills and picture profile settings (useful for moving settings between cameras). You can also store up to six picture profiles in the camera.

There are several preset picture profiles in the camera, including two film look settings. 

Camera section

Lens: Sony G Lens, 20x (optical), f = 4.1 to 82mm, f = 29.5 to 590 mm at 16:9 mode, f = 36.1 to 722 mm at 4:3 mode, filter diameter: 72mm
Built-in filter: Clear, 1/4, 1/16, 1/64
Imaging system: 1/3 inch-type, progressive 3 ClearVid CMOS Sensor system with technology of Exmor
Picture elements: Approx. 1,037,000 pixels (effective), approx. 1,120,000 pixels (total)
Focus: Auto, manual (focus ring/one push auto/infinity/AF assist/focus macro)
White balance: Auto, one-push auto (A/B positions), indoor (3200 K), outdoor (selectable level -7 to +7, approx. 500K/step), manual WB Temp (selectable 2300K to 15000K, 100K/step)
Manual shutter speed: Auto 1/50 – 1/2000, Manual 1/4 – 1/10000
Gain: -6, -3, 0, 3, 6, 9, 12, 15, 18, 21 dB
Minimum Illumination: 1.5 lux (auto gain, auto iris, 1/25 shutter)

VTR section

Recording format: HDV1080/50i/25p, DVCAM, DV SP 576/50i (PAL)
Play out/Down conversion format: HDV1080/50i/25p, DVCAM, DV SP 576/50i (PAL)
Playback/Recording time:
HDV/DV SP: Max. 63 min with PHDVM-63DM cassette
DVCAM: Max. 41 min with PHDVM-63DM cassette

Input/Output connectors

Audio/Video output: 10-pin connector A/V OUT jack (component, composite and unbalanced audio x2ch with the supplied cables)
HDV/DV input/output: i.LINK interface (IEEE 1394, 4-pin)
XLR audio input: XLR 3-pin female x 2ch
Headphone: Stereo mini jack (d3.5 mm)
LANC: Stereo mini-mini jack (d2.5 mm)
Digital video output: HDMI connector

Built-in output devices

LCD view finder: 0.45 inch-type (Viewable area measured diagonally), approx. 1,226,880 dots (852 x 3[RGB] x 480), 16:9 aspect ratio
LCD monitor: 3.2 inch-type (Viewable area measured diagonally), XtraFine LCD, approx. 921,600 dots, hybrid type, 16:9 aspect ratio


Mass: Approx. 2.2 kg (5 lb 1 oz) (w/o tape, battery)
Dimension (W x H x D): Approx.169 x 188 x 451mm (6 3/4 x 7 1/2 x 17 7/8inch) (with lens hood, microphone and large eye cup)
Power requirements: DC 7.2 V (battery pack), DC 8.4 V (AC adaptor)
Power consumption:
HDV Approx. 7.1 W (with ECM-XM1 / LCD viewfinder ON)
DVCAM/DV Approx. 6.8 W (with ECM-XM1 / LCD viewfinder ON)
Battery operating time:
HDV 395min (NP-970)
DVCAM/DV 415min (NP-970)
Operating temperature: 0 to 40 oC (32 to 104 oF)
Storage temperature: -20 to 60 oC (-4 to 140 oF)




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